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Vampire Weekend: Rostam Batmanglij

Rostam Batmanglij on MTV Unplugged--Original photo: MTV

Is Rostam Batmanglij Iranian?

The answer is: Yes!

And…He’s not the only famous one in his faameel (family).

Son to Persian cookbook-queen and frequent guest at the Freer and Sackler Galleries in Washington, DC: Najmieh Batmanglij, Rostam Batmanglij is a brilliant musician and songwriter. (Clearly, the talent runs strong in his genes.) 

The Columbia-educated Persian rocker’s recent appearance on Saturday Night Live (click here to watch the full episode) with host Zach Galifianakis–along with his Vampire Weekend band-mates–is concretely the launching of innumerable and increased industry recognition as well as appearances, ahead of him.

Featured in the January 2010 issue of Vogue Magazine, Rolling Stone Magazine’s Will Dana wrote of Vampire Weekend’s 2008 debut: “The music had a bracing smartness, as overdetermined and detailed as a Wes Anderson movie, almost perfect for what it was, but you wondered how they’d handle the real world.”

Their new album Contra, is: “brainy, confident, and generally awesome.” Dana opines. “The drums are bigger, the guitars are faster, and the songs are outfitted with synth beats and hip-hop, reggae and electro accents.”

Watch The Malloys-directed music video for ”Giving Up The Gun,”–a track off the Contra album–which includes cameos from Joe Jonas of the Jonas Brothers, Lil’ Jon, RZA of  Wu-Tang Clan, and Mr. Prince of Persia himself: Jake Gyllenhaal, below.

 

Buy your copy of Contra on iTunes or on Amazon.

Click here to follow Rostam on Twitter and/or fan Vampire Weekend on Facebook.

Posted in Art, Community, Cover Story, Features, Iran & Iranians, Lifestyle, Movies & Entertainment, Music, PersianComments (0)

Sephardic Life: “Heaven Hates Ham”

 

Queen Esther's Resting Place in Hamedan, Iran--Original Photo via: Fouman.com

My younger brother is currently a bona fide atheist who observes Yom Kippur because my mother stopped ordering him to. Ten years ago, post bar mitzvah, he had a revelation and decided to observe the sabbath. “Why are you doing this to us? We didn’t raise you to this way!” was my parents’ outcry. They have a fear of fundamental observance of Judaism–or any religion for that matter–and believe in a more moderate, traditional form of worship. They have never explained why, not because they’re keeping their reasons a secret, but because they think it’s obvious. “Religious people are crazy,” they say. Granted I agree with them, I want to know why they have not tried to compensate for being ostracized and persecuted by being more “Jewishy” like many immigrants do when they move to the States and relish in their new found freedom.

My family and I are Sephardic Jews from Iran and moved to the States in the early 90’s. I was in the third grade when I started going to a Jewish private school that resembled a refugee camp more than it did a school. They catered to a large immigrant population, mainly kids from Iran and Russia. I’m sure my parents figured since there were other Iranian kids at this school, the transition wouldn’t be much of a shock; they were right. The language transition was doable, especially since my little brother and I were young and absorbed English quickly (thanks to “Saved by the Bell” and other television shows that supplemented our ESL lessons). The bigger cultural shock they should have been concerned with was the transition to orthodox Judaism with its strict rules – 613 of them to be exact – labeling us as idol worshippers for drooling over teeny-bopper movie stars, and pagans for giving out Winnie the Pooh Valentines.

It was very difficult to learn the difference between religion and tradition; what’s worth practicing and what’s just a bunch of archaic lies. In school we were taught every rule that must be complied with during the holiest holidays. On Yom Kippur, for example, we are not allowed to wear leather or gold, brush our teeth , wash our hands past the knuckles, or gossip. While I can care less about not being allowed to wash my hands past the knuckle, I refuse to not brush my teeth, if not for the sake of hygiene, at least for the sake of those around me. Gossiping and updating my knowledge about the community is part of the whole spiritual process. When and if I go to synagogue, I solely go for the gossip. It is much more interesting to know who got a boob job and for how much rather than listen to a bunch of men moaning in a language they don’t understand to a god they can’t prove exists.

Not that we are an exception. My parents still listen to the Muslim prayer, the namaaz on the Iranian radio, especially on the eve of Yom Kippur. Our highest holiday coincides with Islam’s holiest month of Ramadan, where they too fast but for a much longer period of time. My parents have learned to associate the two grave holidays together and don’t leave for synagogue until the mullah is done singing. The Arabic prayer is as foreign to them as the Hebrew prayers but equally beautiful and sacred. “What’s the difference?” my dad defends, “both our heavens hate ham.”

Despite what conclusions you may have come to by now, I do fast on Yom Kippur. My favorite part of the holiday is obviously when it’s over. After hearing the shofar, we go home to eat the chilled, sugary dish called faloodeh reserved for this occasion. Days before the holiday, my mother invests in ripe green and red apples and shreds them into strings of crisp strands, covers them with tons of rose water and sugar and lets it sit in the fridge. If not for my ancestors, god, or the guilt my mother drives in me, I fast to earn the flavor of cold fireworks in my mouth after 25 hours of dry hunger. Meanwhile, the phone doesn’t stop ringing, and when it’s not ringing, one of my parents is dialing friends and family to say ”Ghabool baasheh inshalah,” (may god accept your fast). He better.

I don’t believe god cares that much whether we go a day without food. If he does exist, and is as omnipotent, omniscient and other omni-related adjectives, then he is probably not too impressed by a fast–would you be if you had created the world in seven days? I can’t even finish doing laundry in that span of time. He’s seen it over and over again, much like with New Years resolutions; we repent and promise to be better but of course, it never happens. We continue to lie, cheat, steal, gossip, humiliate, and exploit (not necessarily in that order) and most of the time we are not aware of it because our daily lives consist of more important things, like funding your Starbucks coffee addiction.

My parents could care less about the superfluous details of Yom Kippur (mainly because they don’t know of them besides the not eating part), but god help us if we don’t fast or make a cameo at synagogue to hear the shofar. They found a spiritual release in the process of denying yourself the basic needs such as food and water, and bowing your head as the commanding sound of the shofar reprimanded and reminded you of your infallibility. But as a child I didn’t know how to separate secular spirituality with rules and commandments. I often confronted my dad with the lessons we had learned in school, hoping he would clarify some of their teachings that contradict what we do; his answer was, and still echoes today, “We’re Sephardic.” In other words, “rules we find inconvenient don’t apply to us.”

Being a Sephardic Jew is a blessing especially during Passover. While the Eastern European Jews are restricted in their diet, we can eat all the rice, legumes, chick peas, popcorn and peanut butter-covered Matzahs we want. This is due to geographical misunderstanding, and since these grains are a staple food, the ancient rabbis decided it’s okay. (They checked with god and he gave them the holy thumbs up.) In reality, this has nothing to do with what’s considered divine. It’s just practical; if we followed the rules of Eastern European Jews, we’d starve to death.

Passover was the most difficult holiday to observe in Iran because there were no kosher-for-Passover cereals, chocolates and cakes like there is here. Fortunately, because I was so young, I don’t remember being deprived. But my mother never fails to remind me, when I prefer to sleep in than go to synagogue on the first or second day of Passover, how spoiled and ungrateful I am. “We couldn’t even eat cheese!” she would recall as she shook her head in disappointment at my negligence.

She’s right. We are spoiled today. Passover has turned into a multi million dollar industry where kosher-for-Passover everything is sold in every Jewish market defeating the whole point of having to suffer in the first place; our ancestors did not have coffee cakes and macaroons while stranded in the desert. Of course if I really cared about empathizing with my people, I would boycott any imitation desserts altogether. But I’d like to think that if the Jews had a choice not to suffer in the desert, they wouldn’t.

Besides a lucrative food industry, the holidays are also mating season for most Iranian Jews. Although this is not necessarily a bad thing–many have been happily married as a result of the pheromones of Yom Kippur, Rosh Hashana or Passover–it’s not how I prefer to meet my future ex husband. For one, no man is worth spending a day hungry, hot, and bored, listening to the sanctimonious preaching of a rabbi who interrupts himself every so often to remind everyone to donate money. “ ‘Great is repentance, for the deliberate sins of one who repents become as inadvertent ones.’ By the way, we are selling the yad Torah starting at 150 dollars. Please start your bids.” This after you have already invested a fair sum for a seat in the synagogue (or the ballroom of the Hilton Hotel disguised as a synagogue by some Jewish businessman who probably spends Passover eating a BLT sandwich).

Besides the hypocrisy, I avoid synagogue because of the mothers whose eyes wander away from the heavy book in the palms, lip-syncing the prayer along with the congregation, all the while scavenging the room for girls to offer as eligible wives for their sons. Like NFL recruiters, they watch, observe and come to conclusions about whether the modestly-put-together girl is the right shape, type, social class and complexion for their lawyer, doctor or engineer son, who in reality is in the lucrative business of insurance fraud.

But the mothers are not the sole culprits of this subtle, legal form of human trafficking. The girls are themselves on the prowl and use this occasion to get dolled up with a new suit, waiting for someone to notice them. They exaggerate their virtues and pray ardently with their heads bowed, holding a heavy sidoor, pretending to follow the cantor with eyes glued on the page. Chances are they are wondering why they have not yet been approached by one of the mothers for their phone number. They send a desperate and urgent glance at their mothers who are having similar concerns. Something must have gone wrong. Do I look fat? Am I on the right page? Do they know I made out with the rabbi’s son in eighth grade? Is my lipstick still on? Or maybe some go because they genuinely want to repent. What do I know, anyway? I never attend, but my failure to do so does not secure me a place in the nose bleed seats of purgatory.

It may be out of strong morals and principles or just laziness that I don’t don on a new outfit and squeeze my way into the crowded congregation. Many people find it ironic that someone with an orthodox Jewish education for eight consecutive years can be so dismissive of her duties and obligations. It’s precisely because of the eight years of education that I have the authority to come to the conclusions I do.

At school we memorized the 10 plagues and even did a demonstration of the bloodshed using grape juice as wine. We had lectures in the assembly room where the boys were separated from and seated in front of the girls (whom, if we’re going to adhere to the principles of the Torah, are second class citizens). The rabbi spoke to us matter-of-factly about the dangers of not observing Passover; we would be cut off from the Jewish religion, disowned by your own people! There would be no place for us in heaven. To a group of elementary school and junior high kids, it is traumatizing to be told you will be ostracized from your faith and family. In retrospect, this is a form of child abuse.

Passover in our home is not an excuse to scare children into false righteousness (leaving them without a trust fund is). It is just another holiday where the family gets together to eat, abuse each other verbally, and in this case physically as well. Somewhere between the first prayers for wine (done in three languages for insurance purposes), the dipping of the  Matzah in charoset made of walnuts, cider,  honey, and wine, a holy war takes place; we grab fist fulls of green onions, and as soon as whoever is leading the seder  gives the cue, dayenu (enough) the onions turn to weapons and everyone is fair target. This is to symbolize the end of persecution from slavery and other forms of oppression. Or the only occasion where you can whip your 92-year old grandmother with an onion and not be reprimanded.

For a good few minutes there are green onions flying across the room, hitting your aunt in the eye, your uncle on his bald head, or your mom’s back while she crawls on the floor cleaning up the mess, pleading with everyone to stop before we ruin the rug. “Please! I just had the carpets washed!” Should you run out of onions, you can throw the nearest produce; cucumbers or lettuce leaves until the one sincere patron attempts to stop the fight and return to prayers (there is always a token religious person to bear the burden of our guilt so we don’t have to). But by the time we do stop, we have forgotten where we left off. In which case the men spend the rest of the night deciding where to continue the Seder from and by the time they decide we have already eaten dinner and on way home. Months later, you will still find strands of dried green onion in the back of the TV, under the couch or in the plants behind the dining room table. The remnants serve as a reminder why you have not run away from home to join the circus, for nights like those.

Whether this is a rite of passage to heaven, no one cares. After all the hustling, drama and hard work everyone goes through during the year, there is nothing more “spiritual” or cathartic than enjoying the living, breathing company around you instead of dwelling on your company in the afterlife.

With my school’s far-fetched rules and antiquated ideas, and my family’s disregard for the soap-box version of god and religion, I don’t know why I still associate with and practice Judaism. Why do I still celebrate (most of) the holidays?  Fast on Yom Kippur and even go to synagogue to hear the shofar? Why do I have a strong aversion to pork, know the words to the stupid Dreidel song, want to feed my children excess amounts of guilt and gondy, and relentlessly and beg them to give me grandchildren? I used to believe that I’m no better than the religious people who practice with blind faith when I practice with the full knowledge of its absurdity. But my culture’s practice of Judaism is based on traditions, a passion for life and family, not god. And our tradition dictates that your eldest uncle get drunk on Rosh Hashana and tell you in stealth about how he has slept with every woman from Tehran to Tabriz to remind himself of his lost grandeur; it is tradition for the city of Beverly Hills to cite you for noise violation on a Friday night Shabbat celebration; and it is tradition to ask who’s responsible for the watered-down stew or the anorexic chicken even though we all know exactly which aunt to blame.

Our private school failed to understand the cultural values that supplemented our faith. And while I don’t claim that green-onion warfare is considered a “cultural value,” I would have to argue that if holidays are meant to nurture family bonds and friendships, our somewhat eccentric customs have managed to always encourage and maintain a full house. As I slowly begin to study and understand my family better, I’m learning to be grateful for what they had to go through to maintain their conventions and customs, and give us a strong foundation to build our lives on. I am even considering repressing some of the angst I associate with religion to keep a traditional Jewish home myself someday; sans god, scriptures and ham.

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Prince of Persia: Sands of Time Movie Trailer Number 2

Jake Gyllenhaal--Prince of Persia: Sands of Time. Photo Courtesy of Disney.

It’s almost time for its May 2010 release!

Check out the second trailer for the Prince of Persia: Sands of Time movie.

From the looks of this latest sneak peak, Jake Gyllenhaal who is set to be at this year’s Oscars, really seems to be embracing the Persian charm that his character’s background calls for.

 

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Perspectives Exhibition in London: Yassi Golshani

Works by Yassi Golshani--L to R: Rupoush, Hafiz Divinatory Poems, Installation with sound 2002-03

Yassi Golshani grew up in Iran and gained an MA in Painting from Al Zahra University in Tehran. In 1996 she moved to Paris, where she studied at the University of Saint Denis-Paris VII and the Sorbonne. Golshani’s artistic practice moved from painting to installation work, and most recently she has created installations of boxes containing various items, from disbanded Iranian newspapers and religious poetry, to children’s toys. Golshani has participated in a number of exhibitions in Iran, Europe and the USA.

And now, in partnership with the luxury five-star hotel Hyatt Regency London – The Churchill, the official hotel partner of the Frieze Art Fair, Candlestar presents: Perspectives.

The second in a series of collaborative exhibitions staged in the hotel lobby following Iran Unbowed, which showcased three generations of contemporary artists from Iran; Perspectives will explore ideas of expectation and illusion–each of the works displayed is not quite as it first appears.

Perspectives features five highly distinctive artists – two photographers Emily Allchurch and David Maisel, two painters Patrick Hughes and Gerry Judah, and the young, Prague-based Iranian, Yassi Golshani. Each of these accomplished, exacting artists painstakingly constructs a world and then delights in breaking the illusion – either literally, as in the paintings of Gerry Judah where tiny precise cities are built up and then broken down on the canvas, or more figuratively, as in Emily Allchurch’s Urban Chiaroscuro, where surveillance cameras and mirrors, modern signs and graffiti and other contemporary details are positioned within what is apparently an eighteenth century etching.

Perspectives will interrupt the normal transition of image to eye, while challenging expectations of the display context. Rather than accepting what you see at face value, each artwork rewards further investigation to decode its subject and form. The works will transform the hotel lobby into a forum of participation, as they demand and repay interaction from the viewer. The show promises to be thought provoking, and is a rare opportunity to see these international artists together.

Perspectives will be on show at the Hyatt Regency London – The Churchill from March to June, and there will be a Private View on Monday 15 March, 6 – 8.30 pm.

Click here for more info.

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Iranian Youth & Camp Future: Iranian Alliances Across Borders Announces Fifth Anniversary of Camp Ayandeh

Iranian Alliances Across Borders (IAAB) is pleased to announce the fifth anniversary of Camp Ayandeh, IAAB’s Iranian-American leadership camp for high school students, to be held at Notre Dame de Namur University in Belmont, California, July 6 -12, 2010.  

Through a positive and inclusive environment, Camp Ayandeh allows campers to develop leadership skills, foster strong friendships, and gain a deeper understanding of culture and identity as the youth of the Iranian diaspora community. The Iranian-American community is diverse and vibrant, a characteristic that Camp Ayandeh represents, embraces, and celebrates. Campers leave with a stronger sense of self, lifelong friendships, and the necessary skills to lead both within and outside of the Iranian diaspora community.

“The camp’s programs are designed to promote and utilize campers’ creative energies and critical thinking skills,” IAAB’s Executive Director Mana Kharrazi explained. “Our activities focus on leadership abilities such as decision making, active-listening, and communication, that assist campers in becoming the community’s leaders of tomorrow.”

“To watch these students grow over the course of a week, and leave with not only a stronger sense of self, but the skills necessary to become leaders in their communities, is a truly inspiring experience,” shares former camper and camp counselor, Tara Safaie. Among the camp’s cultural activities are lessons on and exposure to Iranian language, music, poetry, films, and history. Through the guidance of Iranian-American camp counselors drawn from an array of American universities, Ayandeh campers are also encouraged to reflect on what it means to be a hyphenated Iranian-American with peers who serve as role models and identify with the realities of Iranian-American teenage life.

Notre Dame de Namur University (NDNU) is located just south of San Francisco, California and has recently been named one of the top tier universities of the western region by U.S. News & World Report rankings. As an influential university in the Bay Area, IAAB chose its lush and accommodating campus as an ideal location for this celebratory fifth installment of Camp Ayandeh.

“This year’s Camp Ayandeh is going to address fresh ideas with new perspectives in order to continue empowering and inspiring the youth of our diaspora community,” shares Pantea Faed, a member of IAAB’s camp planning committee. “We’re excited about the West Coast debut; Camp 2010 will be one to remember.”

Camp Ayandeh is a non-political and non-religious camp, and is open to high school students of all backgrounds. No prior knowledge of the Persian language is required.

For more information on Camp Ayandeh 2010, including camper and counselor applications, please visit http://iranianalliances.org/camp.

Campers are encouraged to apply early as application fees will increase after April 5th, 2010.

Contact: Leyla Serway, Public Relations
Iranian Alliances Across Borders
public_relations@iranianalliances.org
iranianalliances.org

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Miami Winter Music Conference 2010: Namito at Yoshitoshi Anniversary Party

namito-winter-music-conference-2010

Photo credit: Natascha Romboy

We’ve got some fantastic news for all you dance/trance/house/electro-music fans!

One of the world’s number one DJ/Producers, the über-gifted Namito (pronounced na-mee-tow), also known as the mastermind behind the sexy Kling Klong-released track that has been keeping us energized and feeling homesick for some major Tehran-style partying, Train to Tehran, will be performing at this year’s Winter Music Conference in Miami on March 24th, 2010 at Tangia Lounge in South Beach. (And at the 15-year Yoshitoshi anniversary event nonetheless.)

“I am really excited to play at the Yoshitoshi birthday party,”  The Berlin-based Iranian producer tells Persianesque Magazine exclusively. “I believe it’s going to be jam packed and filled with international guests.”

How does he feel about being a part of the mega-label that houses Deep Dish and many more chart-toppers?

“I was thinking about this a few days ago…[Being represented by Yoshitoshi Records] was a dream a few years ago, that has come true. It is a good sign that with hard work, you can achieve everything you want.”

Namito’s latest single, V, debuted on Sharam’s Radio1 Essential Mix and is now available for purchase on Beatport.

Click here to buy your ticket(s) now before they’re sold out!

The line-up includes: Audiojack, John Acquaviva, Spektre, Koen Groeneveld, Namito, Nicole Moudaber, Jaxson, Helmut Dubnitzky, KaiserSouzai, Pierce, and Visuals by Happy DVJ’s (Well Done).

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Norooz: Freer and Sackler Galleries Celebrate the Persian New Year

Photo Credit: Enzie Shahmiri

For the second year, the Freer and Sackler galleries will mark the Persian New Year, known as “Nowruz,” with traditional displays of the haft sin table, fire jumping, storytelling, live music, art making, delicious food and more. The Persian New Year formally begins March 20, the first day of spring, but the Freer and Sackler galleries will begin celebrating Sunday, March 7, from 11 a.m. to 4 p.m. Dating to 3,000 B.C.E., Nowruz is rooted in Zoroastrianism, the religion of Iran before Islam, and marks the vernal equinox, or the beginning of spring. Today, it is celebrated in Iran, Central Asia and Lebanon.

“We are thrilled to host our second Nowruz event,” said Marjan Adib, head of Strategy and Policy Implementation at the galleries. “It’s a wonderful opportunity for families to gather from many different cultures, backgrounds and ages to celebrate the arrival of spring.”

Music: The Pejvak Ensemble, Directed by Behfar Bahadoran
Enjoy new music performed on traditional Persian instruments at 12:30 and 3:30 p.m. in the Meyer Auditorium. The ensemble features Behfar Bahadoran on tar and setar, Faraz Minooei on santur, Pezhham Akhavass on tombak, Steve Bloom on percussion, and Shohreh Majd performing vocals. Free tickets are required for The Pejvak Ensemble and can be reserved in advance beginning 10 a.m., Monday, Feb. 22, through ticketmaster.com.

Booksigning: Najmieh Batmanglij
Acclaimed chef and author Najmieh Batmanglij signs copies of her many cookbooks, including Happy Nowruz: Cooking with Children to Celebrate the Persian New Year from 1 to 3 p.m. in the Sackler shop.

Haft Sin Tables
Haft sin tables, a traditional table display created during Nowruz, will feature the seven symbolic items that Iranian families traditionally use to honor the return of spring. The tables will be located in the Freer Gallery north corridor, Sackler pavilion and ImaginAsia classroom (Sackler sublevel 2).
 
Backgammon and Fire Jumping
Families will enjoy playing the ancient Persian board game backgammon, and for those who are new to the game, members of the Northern Virginia Backgammon Club will offer introductory lessons at 12 and 2 p.m. on Sackler sublevel 1. Also, cast off the troubles of the past year and celebrate the victory of light over darkness by jumping over an artificial fire in the Sackler Pavilion or ImaginAsia classroom on Sackler sublevel 2.

Greeting Cards and Fortunes for Children
Make a Nowruz greeting card and your fortune in a fun version of the Falnama (Book of Omens) in the ImaginAsia classroom on Sackler sublevel 2.

Video: Babak and Friends: A First Norooz
In this delightful 30-minute animated film, young Babak learns about Nowruz when his cousins arrive from Iran to celebrate the New Year. Continuous screenings will be offered in the ImaginAsia classroom on Sackler sublevel 2. 

Food from Johnny’s Kabob and Mie N Yu
Johnny’s Kabob will offer lunch from 11 a.m. to 2 p.m. in the Ripley Center concourse. Snacks and tea will be available from Mie N Yu from 12 to 3 p.m. in the Freer courtyard (rain location: Freer south corridor)

For complete schedules, event locations and additional details on all Nowruz events, please visit www.asia.si.edu/nowruz.

The Nowruz celebration is made possible with the support of the Ebrahimi Family Foundation.

The Freer Gallery of Art, located at 12th Street and Independence Avenue S.W., and the adjacent Arthur M. Sackler Gallery, located at 1050 Independence Avenue S.W., are on the National Mall in Washington, D.C. Hours are from 10 a.m. to 5:30 p.m. every day, except Dec. 25, and admission is free. The galleries are located near the Smithsonian Metrorail station on the Blue and Orange lines. For more information, the public may call (202) 633-1000 or visit the Web site: asia.si.edu.

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K-von’s Adventures: Dubai Mall

By now we think you’ve probably heard about the leak in the shark-holding aquarium of popular UAE attraction, Dubai Mall–which coincidentally happened one day after the very unfortunate incident at Orlando’s Sea World, where an orca trainer was drowned while performing a routine exercise with the large animal.

Check out Persian comedian, K-von’s latest adventure in Dubai–and at the Dubai Mall no-less–captured on video. 

“I promise, I did not cause the leak!” K-von tells us of his stroll by the now-infamous tank in Dubai.

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Carpet-Board: Persian Rugs on Wheels

You like?

We do!

In fact: we love!

Throughout time, Persian patterns have remained of the most enlightened, delicate, and precisely-detailed in the world…And we simply adore seeing more and more  parts of our often-unmentioned culture so smartly inserted into the mainstream market. (In this case; urban playgrounds, empty pools, and skateboard ramps.)

Eric Esmailzadeh Parnes’s newest creation and usable product(s): “Boards of Iran,” easily double as figurative flying carpets. (Pending upon how fast you can board.)

These beautiful urban pieces finally allow us to step (even with our dirtiest sneakers) on such recherché prints found mostly on the best of silk Persian rugs, guilt free.

“The geometric designs and intrinsic beauty of Persian rugs is well known and has been a coveted item both in the East, and West. It was only natural that these designs were chosen.” Says Parnes of his inspiration for the skateboards. ”I recreated the designs from a vast selection of different styles of rugs, and tried to portray the subtle hand crafted imperfections that make them special.”

Parnes who skateboards “in theory” because it “would either ruin the beauty of the design, or [his] body,” humorously tells us that he made this product for “rug dealers, and naturally, their children.”

I suppose it’s fair to disclose I have family that own a rug store, as well as family friends who do. (But then again who doesn’t.) I would love to set up a skateboard shop in a Bazaar as a art concept.” Adds the New York-based Iranian artist. ”It’s out there so that anyone who likes it gets it.”

Click here to purchase your own board or contact:  info@ericrobertparnes.com for more info.

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Press Release: Iranian American 2010 Census Project Coalition Gains Momentum

census 2010  

February 4, 2010, Washington, DC – Now at 19 partners and counting, the coalition was formed to ensure maximum and consistent participation by Iranian Americans in the 2010 U.S. Census. The addition of new organizations strengthens and expands the coalition’s outreach and penetration, providing it with more resources and a larger platform for educating Iranian Americans nationwide and encouraging their participation in the Census.

The census is a count of everyone living in the United States. This includes people of all ages, races, and ethnic groups, as well as both citizens and non-citizens. Like many ethnic groups, Iranian Americans have traditionally been undercounted; the 2000 Census count of our community was only 338,000. This is a problem as it undermines our access to a variety of social services. The only solution is for us to register our Iranian origin, and to be counted by the Census Bureau.

The Iranian American 2010 Census Coalition is taking a proactive role to try and ensure that our community’s statistics are accurately reflected and that it has access to key services and an enhanced political voice.  With that in mind, the coalition has assembled an informational and instructional pamphlet, available both in English and Persian, to answer questions about the U.S. Census.   

Simultaneously, the coalition is developing customized messaging and communication tools specific to the Iranian American population to be rolled out nationally over the coming weeks, to help raise awareness about the U.S. 2010 Census campaign among all of the Iranian American households and communities nationwide.

Stand Up and Be Counted

The Iranian American 2010 Census Coalition includes both national and regional Iranian American organizations that have united under the common objective of educating Iranian Americans about the 2010 Census. Specific goals of this project include reaching every Iranian American household in the country to educate them about the importance of participating in the 2010 Census, to assure them that the information provided to the Census Bureau will by law be confidential, and to urge them to respond to questions relating to race, ethnicity, and national origin in a consistent manner.  In order to assure maximum outreach, the Census Coalition has hired full-time consultants to both reach out to the Iranian American community and coordinate with the U.S. Census.

For more information or to join the Iranian American 2010 Census Project contact any of the coalition partners:

Andisheh Center: www.andisheh.org

Association of Iranian American Professionals (AIAP): www.aiap.orgindex.shtml

Bay Area Iranian-American Democrats (BAIAD): www.baiad.org

Bay Area Iranian-American Voter Association (BAIVOTER): www.baivoter.org

Empowered Women United: empoweredwomenunited.com

Farhang Foundation: www.farhang.org

Iranican: www.iranican.com

Iranian Alliances Across Borders (IAAB): www.iranianalliances.org

Iranian American Bar Association (IABA): www.iaba.us

Iranian Psychological Association of America (IPAA): www.myipaa.org

Iranian Studies Group at MIT: www.isgmit.org

National Iranian American Council (NIAC): www.niacouncil.org

Network of Iranian American Professionals of Orange County (NIPOC): www.nipoc.org

PARSA Community Foundation: www.parsacf.org

Persian Center www.persiancenter.org

Persian Cultural Club www.persiancenter.org  

Persianesque Magazine: www.persianesquemagazine.com

Public Affairs Alliance of Iranian Americans (PAAIA): www.paaia.org

Shabeh Jomeh: www.shabehjomeh.com

U.S. Census Bureau: www.census.gov

 

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Press Release: Iranian Artist Nader Davoodi at Xerxes Art

Nader Davoodi, Untitled

Nader Davoodi is an award winning artist, photographer, photojournalist and publisher.  His work has at many times captured the zeitgeist of contemporary Iran.

Nader Davoodi’s latest works visualise the poetry of the Mo’jjam History by the 13th century A.D. Iranian poet Ghazvini.  The compilations in the Mojj’am History chronicle Iran’s Shahs (kings) from the reign of Kioumars Shah, whose reign coincides with the beginning of the epic Shahnameh (book of kings), through the end of the reign of Anushiravan Shah.

Read the full story

Posted in Announcements, Art, Community, Iran & Iranians, Lifestyle, Persian, Press ReleasesComments (0)

Press Release: 2010 Farhang Foundation Short Film Festival Deadline Extended

 

We are pleased to announce that the festival committee has extended the deadline of the 2nd Annual Farhang Foundation Short Film Festival to Monday, February 22, 2010.

This year, filmmakers from all walks of life, Iranian and non-Iranian, are invited to create a music video (less than 9 minutes).

A music video is a short movie or animation that is accompanied with music of any style or genre (contemporary, pop, classical, folk, Iranian, non-Iranian, etc.). The music may be with or without lyrics and in any language. The music and the lyrics may be original or pre-existing.

Read the full story

Posted in Announcements, Art, Community, Features, Iran & Iranians, Lifestyle, Movies & Entertainment, News, Persian, Press ReleasesComments (0)

Project Runway Season 7: Interview with Fashion Designer Amy Sarabi

L to R, Photo: Michelle Blioux, Model; Zadasha White - Amy Sarabi - Artwork by Amy Sarabi--All images courtesy of Lifetime

Seems like it was just last season (season six to be exact) that we got our fix of “Iranians on TV”–via the tiny Persian designer, Shirin Askari–on Lifetime’s Project Runway.

Wait…it was.

But now, there’s a new Persian girl–who’s also (originally) from Texas like her predecessor–to watch on the show of shows in Fashion, Iranian-American fashion designer: Amy Sarabi.

“My parents came to the United States in 1979.” Sarabi tells us. ”They landed in Texas where they attended Graduate School. I spent the majority of my childhood growing up in Plano, Texas: I have an older brother, Shahin and an older sister Shiva.”

The 26 year-old designer’s fascination with fashion emerged early in life: “I was always buying garments and turning them into something else, I have a vivid memory of myself standing in front of my mother’s mirror at about 6 years old putting a nightgown on the wrong way intentionally and wearing it as a little jacket.”

Already placing in the “Best 3″ category on her Project Runway scorecard for her  unconventional approach to simplicity while remaining authentic to the texture, look, and earthy color pallete of the delicious burlap creation she sent down the runway on Episode 2: The Fashion Farm, Amy’s had a stellar start on Project Runway this season.

And although she may not have enough time to “make things for [herself]” to wear, we’re confident that the “silk organza”-loving, and progressively artful honarmand (artist), Amy Sarabi will in no time be a respected voice in the fashion world, and rule her scene. (As most Persian women seem to naturally do.)

A true Persian girl at heart, Amy admits to us that her own personal style consists  of wearing “a lot of  black.” Her design aesthetic, however,  is far from being monochromatic. It’s rich and kaleidoscopic.

Enjoy Persianesque Magazine’s exclusive interview with  the fashion-theory-au-fait and forward-focused, global design-house-in-the-making source: Amy Sarabi. Read the full story

Posted in Art, Community, Cover Story, Fashion & Design, Features, Interviews, Iran & Iranians, Lifestyle, Movies & Entertainment, PersianComments (0)

Iranian and Gay: Interview with Comedian Mehran Khaghani

Iranian-American Comedian, Mehran Khaghani--Original Photo: Leah LaRiccia

The sexiest and most controversial Iranian stand up comedian has arrived!

Meet Mehran Khaghani, whose only time spent in the ”komode” (closet), is to choose an outfit for one of his many gigs!

A former PM for the office of the President of Provost at Harvard, Khaghani is an Iranian-American comedian who happens to be gay, but more importantly: lives and thinks fabulously.

“I’m tied to the most beautiful culture on the planet,” Khaghani proudly tells us. “Our poetry, music, architecture, the beauty of our hearts…And of course, seeing the Iranian people, and their faces, demonstrating against the Iranian election this past summer brought up the most intense feelings of solidarity and love.  I just kept crying, sometimes out of sadness and sometimes out of sheer inspiration.”

Read the full story

Posted in Community, Cover Story, Features, Interviews, Iran & Iranians, Lifestyle, PersianComments (0)

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