Persianesque: Iranian Magazine

I remember how the Persian Literature teacher held onto her black chador and shifted in her uncomfortable metal chair. She rolled her eyes and slammed on the table three of times to bring the class back to order. “She is a dirty woman!” she repeated in anger and confidence. The class knew that the discussion was over. But she continued to justify the absence of Forough Farrokhzad’s poetry from the 7th grade Persian literature book.

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Today marks the thirty-year anniversary of  Saddam Hussein’s well-funded attack on Iran: September 22, 1980.

And as an Iranian, whether you experienced the Iran-Iraq war inside Iran, or out…We’re sure you probably have your share of stories about the ruthless and chemically-enhanced full-scale invasion of Iran by neighboring Iraq, and how it may have effected you and/or your family.

Ending in August 1988, after eight years of fighting, the Iran-Iraq War is known as one of the deadliest wars since World War II. Continue Reading

Sacha Baron Cohen to portray Freddie Mercury?

Seems so!

Actor/comedian Cohen, who is half-Persian, is set to play one of the most important figures in rock music: The musical genius of beyond-talented Queen front-man, Freddie Mercury. Continue Reading

Ferdowsi's Tomb

Intricately detailed and sumptuously painted images of kings, heroes and mythological creatures from the Shahnameh, Iran’s national epic and one of the world’s greatest literary masterpieces, will be on view in “Shahnama (sic): 1000 Years of the Persian Book of Kings” at the Sackler Gallery Oct. 23 – April 17, 2011.

Completed in ca. 1010 by Persian poet Ferdowsi, the Shahnama recounts the myths, legends and “history” of Iran from the beginning of time to the Arab conquest in the 7th century. The exhibition comprises 33 paintings and objects from the 14th to 16th centuries, including folios from two of the most celebrated copies of the Shahnama in existence.

“This exhibition celebrates the remarkable achievement of Ferdowsi and the manuscript painting it has inspired over the last millennium,” said chief curator and organizer of the exhibition. “In its cultural significance and popularity the Shahnama is on equal footing with the works of Shakespeare, Homer and the Mahabharata.”

The Shahnameh is composed of some 50,000 verses, structured around the reign of 50 monarchs, which in turn serve as a frame for other stories, replete with colorful characters and supernatural beings. The stories explore epic themes, such as honor, loyalty, justice and fate through heroic battles, feats of bravery as well as human folly and hubris. The vivid poem draws on a wealth of oral and written sources, including the Avesta, the sacred text of the Zoroastrian religion.

The exhibition includes several folios from a 14th-century copy of the Shahnameh completed for the Mongol rulers of Iran, which is considered an artistic watershed in the history of Persian manuscript illustration because of its scale and highly original compositions. Also on display are folios from the most lavishly produced Shahnama manuscript in the Islamic world, a 16th-century copy commissioned by Shah Tahmasb (reigned 1524-76). Several silver and bronze vessels, produced in the sixth and seventh centuries under Sasanian patronage, are also included.

“Shahnama: 1000 Years of the Persian Book of Kings” is divided into three parts. After an introduction to principal themes of the epic and their ancient Iranian origins, the exhibition introduces major characters from the Shahnama’s mythical section such as the legendary hero Rustam, known as the protector of Iran, and his father, Zal. A highlight of this section is the painting The Court of Jamshid, that depicts the enthroned legendary monarch who introduced the arts, crafts, and sciences to Iran and thought that he was superior to all, even God. His hubris, however, cost him his life and throne. This remarkable illustration embodies the ideals of Persian manuscript painting with its emphasis on meticulously balanced compositions, jewel-like surfaces and superb draftsmanship

The second section of the exhibition focuses primarily on Iskandar or Alexander, the Macedonian conqueror, who ushers in the quasi-historical section of the Shahnameh. Although Alexander invaded Iran in 330 BCE, he is represented in Persian literature as a just, sage-like king.

The galleries will offer exhibition-related programming that includes a family-friendly performance of the legendary Persian tale “The Adventures of King Bahram, the Hunter” by Ardavan Mofid & Co. Oct. 17 at 2 p.m.

On Dec. 4 from 2-5 p.m., the galleries will offer a two-part program: the renowned scholar and professor of Persian literature Dick Davis will speak on the role of women in the Shahnameh, and Azar Nafisi, the best-selling author of Reading Lolita in Tehran, will discuss the lasting significance of Iran’s national epic.

“Shahnama: 1000 Years of the Persian Book of Kings” is organized by the Sackler Gallery with support from The Lee and Juliet Folger Fund. The exhibition will be accompanied by a color brochure.

The Arthur M. Sackler Gallery, located at 1050 Independence Avenue S.W., and the adjacent Freer Gallery of Art, located at 12th Street and Independence Avenue S.W., are on the National Mall in Washington, D.C. Hours are 10 a.m. to 5:30 p.m. every day, except Dec. 25, and admission is free. The galleries are located near the Smithsonian Metrorail station on the Blue and Orange lines. For more information about Freer and Sackler exhibitions, programs and events, please visit: asia.si.edu.